means women, more so than men, feel safer in a wider range of social settings. Further, the scholars discuss how the changing landscape of social acceptance of homosexuality in the U.S. Yet, if money is the linchpin, why are gay bars thriving while lesbian bars are shutting their doors? The “nesting” or “U-Haul lesbian” stereotype is debunked by interviews with two academics, including notable queer author Jack Halberstam. Thirkield also notes the business model of catering to “less than five percent” of the population also means lesbian bars will be hit hard in any economic downturn or shift in population. In her interview, the Lexington Club owner Lisa Thirkield ascribes the bar’s closure to economic factors – as the gentrification of San Francisco raises rents, it forces less-affluent queers out of the immediate surroundings. The film then shifts to present day San Francisco, where the 2015 closure of the Lexington Club means there is no longer a women’s bar in the metropolis that’s hailed as the nation’s “gay capital.” The film opens with a voice-over and footage of gay bars from the turn of the century, tracing the evolution of the bar as a place for the community to gather and forge personal and romantic relationships.
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